Alas, no. Tyler subtly switches perspective and we realize that the mother, besides being the resourceful and loving woman we met in the first chapter, has reservoirs of fear and cruelty she regularly unleashes on her children. This is a book that shows Motherhood is Hard, and not Motherhood is Hard in a Tom Perotta "I-forgot-the-juicebox" kind of way, but in a I'm-So-Overwhelmed-By-Responsibility-I-Whacked-My-Three-Year-Old's-Face-Into-Her-Beatrix-Potter-Plate" kind of way. Needless to say, reading about such an unhappy family was kind of a slog.
Tyler pulls no punches and presents a bunch of people who have never really recovered from their past and probably never will. The kids hurt themselves and each other, periodically achieving periods of grace. I was aware that so many other writers and filmmakers have covered this territory since ("August: Osage County," "Interiors," "Six Feet Under") that I wasn't as entranced with the book as I would have if I had read it when it first came out. But Tyler's writing is beautifully precise and she crafts a humdinger of a closing paragraph. But the promise of the cover (who was that lady supposed to be anyway, 1982 Graphic Designer? Pearl? Her daughter? And if so, who was the dude behind her? Her brother? You're disgusting and terrible at your job) was never achieved and I shall have to hunt elsewhere for my summer escapist fare.
When has Anne Tyler ever written a feel-good book? Also, "...I wasn't as entranced with the book as I would have if I had read it when it first came out". Yes, I'm sure your 6 1/2 year old self would have had a greater appreciation for the themes presented in DATHR. Pairs well with "The Phantom Tollbooth".
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